Blurb heaven

AFTER THE END just got an awesome blurb from the oh-so-fabulous Marie Lu!

“Wonderfully riveting. A fascinating twist on the apocalypse, and a reminder that things aren’t always as they seem.”
—Marie Lu, New York Times Bestselling author of The Legend Series

This one joins a blurb from Sophie Jordan:

“Exciting and tense! Prepare for the unexpected! You’ll stay up all night with this one!”
— Sophie Jordan, NYT Bestselling author of the Firelight series

and from Kimberly Derting:

“Amy Plum creates a chilling world where the stakes are high and no one can be trusted. After the End will leave you breathless!”
— Kimberly Derting, author of the Body Finder series

I feel so honored to get such nice compliments from such amazing storytellers!

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Online Video Chat with Booktalk Nation, May 6 (w/Josie Angelini interviewing me)

Join me and Josephine Angelini for a special online video chat on Tuesday, May 6 at 7PM EST/4PM PCT!

Yes, Josephine Angelini, author of the STARCROSSED trilogy and of the upcoming WORLDWALKER trilogy will be chatting with me about AFTER THE END…live.

If you didn’t already know that Josie and I are book buds, here is proof:

Me & Jose w/Alyson Noel and Melissa de la Cruz

Me & Jose w/Alyson Noel and Melissa de la Cruz

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Josie, Heidi (YA Bibliophile) and me.

A witch and a zombie who just happen to bear a strong resemblance to Josie and me.

A witch and a zombie who just happen to bear a strong resemblance to Josie and me.

Um, yeah…things might just get a bit silly.

No matter where you are, you can sign up to join us. There will be time for your questions at the end, and you can even order a personalized, signed book. It’s like a live book signing except you don’t have to leave home to join and it supports independent bookstores.

Details can be found here at Booktalk Nation. Signing up is required, but this event is free!

See you all on May 6!

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AFTER THE END’s 1st review (and it’s a doozy!)

I am SO EXCITED (and relieved, and honored, and way too many other adjectives to list here) to share with you AFTER THE END’s very first review.

First of all, the review is from Publishers Weekly. Being reviewed by them is an honor in itself.

But amazingly, it is a starred review. As in it got a star. From Publishers Weekly. This is the point where I fall off my chair and start babbling an improvised awards speech. (“I would like to thank Snuffleupagus for igniting my desire to read,” etc.)

I’m so excited. Truly. It’s the first starred review I’ve ever gotten from that magazine. And as a still-very-new writer, one of my hopes is that I’m getting a little better with each book. This feels like a confirmation that that might actually be happening. Which makes me oh so happy.

Here is the review that has got me floating around a few inches off the floor today (and here’s the link if you want to read it from the source):

PUBLISHERS WEEKLY, March 3rd issue 

AFTER THE END. Amy Plum. HarperTeen, (336p) ISBN 978-0-06-222560-3
Seventeen-year-old Juneau has grown up isolated in the postapocalyptic Alaskan wilderness, a pristine landscape of “crystalline fields veined with frozen streams.” When her clan is kidnapped, she discovers that the nuclear war they supposedly fled never took place. Struggling to disentangle truth from lies, Juneau plunges into an unfamiliar world to rescue her clan, aided by her connection to the Yara, a mystical nature-force. In this series opener, Plum (the Die for Me books) introduces a resilient, crossbow-wielding, part-Chinese heroine, then forces this driven survivor to cooperate with a spoiled rich kid. Miles Blackwell seeks to redeem himself in the eyes of his CEO father by capturing Juneau, but he’s instead pulled into her attempt to find her people. Misunderstandings and betrayals abound as Juneau and Miles set off on a road trip through the West, coming to appreciate each other in a slow-moving, believable romance. Alternating first-person narrators let readers get to know intense Juneau from inside and out, while offering a window into Miles’s gradual maturation. Ages 13–up. [em]Agent: Stacey Glick, Dystel & Goderich Literary Management. (May) [/em]

 

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Excerpt Thursday

Thursdays are usually pretty boring, right? Well, not any more! I am going to be giving you a short excerpt of AFTER THE END every single Thursday, until I have revealed the entirety of Chapters 19 and 20.

Why 19 and 20, you ask? Because there are 2 parts of the book. Part 1 is Juneau in Alaska, and it’s a bit dark. For example, I could give you something like,

“My arrow flies true and the great bull caribou slumps to the ground. I sling my crossbow over my shoulder, and the virgin snow crunches under my moccasins as I sprint across the field to kneel by the beast’s heaving side. ‘Thank you,’ I say as I draw my knife from my belt. I pet the bristly fur of his muzzle and look him straight in his huge glassy eye. And then I slit his throat.” (AFTER THE END, p. 11)

But I wouldn’t want to do that. Because then you’d think that the book is about hunting and violence and that Juneau isn’t a very nice person. Instead, we’ll skip over to Part 2 and I’ll give you the chapters where Juneau Newhaven (17) and Miles Blackwell (18) meet. It’s a good introduction to them and the rest of the two-book series.

Why am I doing this? Well, I admit, my goal isn’t solely to liven up your Thursdays. I am hoping that you will like the story enough to pre-order the book. So I have put handy pre-order links at the bottom of the page. But DON’T PRE-ORDER IT unless you are thoroughly intrigued by the characters, by their mysteries, by the suggestion that things are not as they seem. So don’t order it right away. Wait until you can’t stand it any more and are totally hooked. And then click the button!

Instead of posting each excerpt in a separate blog post, I will just add the new excerpt to this one each Thursday. That way you can easily find your way back to read more. So…are you ready? Here begins the world-exclusive teaser of Chapters 19 and 20 from AFTER THE END, to be released by HarperTeen on May 6, 2014.

Dec. 5, 2013 Excerpt

Chapter 19: Juneau

I have searched the streets of Seattle for several days, looking for the person my oracle spoke of, without the foggiest notion of what he looks like. Yesterday I felt he was near, but I had to run from my pursuers before I could spot him.

Used to being the hunter, I am now the hunted. Men are chasing me—they aren’t dressed like Whit’s captors, so I have no idea who they are. I just know I have to continue looking for the person I’m supposed to meet while keeping the men at bay. It would help if I knew what he looked like instead of just trusting my hunter’s instinct that he is following me.

But the second he walks into the library, I know it is him.

Dec. 12, 2013 Excerpt

I am sitting at my usual table: the one I use whenever the rain drives me off the streets, reading magazines and newspapers to familiarize myself with the events of the last thirty years.

I keep my head down, scanning the pages of a Time magazine while I see him glance my way and take a seat at the end of my table. Only when he pretends to be reading a book do I allow myself a peek.

I study his features carefully. His light-brown hair is the color of fireweed honey tossed about in a scramble of loose curls. He has a long, straight nose and lips that look like they’re hiding a joke. Or a secret.

He glances my way and sees me staring at him. I can’t tell if his eyes are blue or green. I rise, walk to his end of the table, and sit down directly across from him. He watches me, his face reddening with surprise.

“What’s your name?” I whisper. The page-padded hush of the room swallows my voice, but he hears me.

He hesitates, looks uncertain, and then focuses on my left eye. Clearing his throat, he whispers, “Miles.”

It’s the answer I’ve been waiting for.

Dec. 19, 2013 Excerpt

I nod and study him for another few seconds. And then I rise to my feet. “Come on,” I say. I swing my backpack over my shoulder and stand next to him, waiting.

He sits there looking dumbfounded. “What? Where?”

I extend my hand. He looks at it warily—like it’s an inanimate object. Like it’s one of those mystery boxes Kenai loves to make: you never know if it holds a piece of blueberry cake or a coil-spring snake that will smack you in the face.

The boy doesn’t take my hand. Instead, he follows me out of the library into the parking lot. It’s still raining. I pull up my hood and let the rain drizzle down my jacket, while Miles huddles beneath the building’s overhang.

“Which one is yours?” I ask.

“The Beamer.” Miles points to a silvery-blue car that looks brand-new, and then wraps his arms back around himself. It isn’t very cold, but his shirt is too light for the weather. Doesn’t come prepared, I think, continuing the mental assessment I had begun the moment I saw him.

I walk to his car and stand next to the passenger side. “What are you doing?” Miles calls.

“Waiting for you,” I respond. “And getting wet.”

Dec. 26, 2013 Excerpt

He gives me an incredulous look. When I don’t move, he leaves his dry spot and jogs through the rain toward me, pressing something on his keys as he runs. I hear the locks click and I open the door, slide in, and stash my backpack in the rear seat. Miles bundles into the car and turns to gape at me. “What are you doing?” he repeats.

“I could ask you the same thing,” I respond. “You were looking for me. And now you’ve found me. I’ll tell you what I’m doing if you tell me what you already know about me.”

His jaw snaps shut and his eyes grow wide. Green eyes. I can tell now. They’re the dark blue-green-black of a Denali lake at dusk. The thing about lake water is it’s opaque. You never know what’s hidden underneath.

Jan. 2, 2014 Excerpt

“What I know about you? Nothing!” he says.

I stay silent, crossing my arms as I wait. He sees that I won’t talk until he does.

“Seriously,” he claims. “All I know is that some people are looking for you. And the locals think you’re crazy because you go around asking people’s names.” He pauses, looking sorry that he said that last part. Understandable. It’s not the kind of thing you would want to mention when sitting in an enclosed space with said crazy person.

Tactless, I add to my list, and ask, “Do you?”

“Do I what?” he asks, looking cornered.

“Think I’m crazy?”

“Um, I would have to say…at this moment…yes,” he admits.

I chew my lip and look out the window at the parking lot. No question about it—I’m sure Miles is the one Frankie foresaw.

Jan. 9, 2014 Excerpt

I look back at him and raise my eyebrows impatiently.

“What?” he asks, looking defensive.

“Let’s go,” I say.

“Go where?”

“To find my clan.”

His features flip through a series of comical expressions: incomprehension, doubt, surprise, and finally exasperation.

“Where…where do we have to go to find your…clan?”

I lean forward to peer at the point where the sun hides under the rain clouds to get my bearing. “It looked kind of desertlike. Kind of Wild West. It’s in that direction,” I say, pointing southeast.

“Whoa,” he says, holding his hands up in a defensive gesture. “Listen here. I don’t have any clue what you’re talking about. And I haven’t said I’m taking you anywhere. Much less to the Wild West.”

“Then tell me why you were following me.”

Jan. 16, 2014 Excerpt

He stares back at me as long as he can before shifting his gaze away. I just sit and watch him, waiting for him to come around. Finally he sighs and says, “Okay, I’ll give you a lift. But I was headed south, actually. To California. We’ve got a lot of Wild West there. You could ride there with me and then go look for your clan. But I’ll need to make a stop and pick up some…stuff first. Clothes. You know.”

“What’s in the suitcase behind the seat?” I ask.

“Um…clothes,” Miles says, fidgeting. “Yeah, I forgot about that. But I could take you to your hotel if you need to get…supplies.” He rearranges his face into a helpful smile and then lifts his eyebrows in a way that I think is meant to charm me.

Nome would be eating this up, I think. She had actually gone through the Encyclopedia Britannica and ranked the photos of every scientist, politician—anything male—from one to ten, based on “charisma,” as she called it. I can never think of John F. Kennedy without the number 7.5 popping into my head.

But I feel only amusement watching Miles. I have  goal, and he is the one who will help me. My interest ends there.

Jan. 23, 2014 Excerpt

“I don’t need to go back to the guesthouse,” I say. “I’ve been here seven days and paid up front for the week. Plus, I have everything I need in my pack. Let’s go.”

“So you have money?”

“Some.”

“Well, then, why don’t you rent a car and drive yourself?” he asks curiously.

“I don’t know how to drive.”

He raises a skeptical eyebrow. “You could take a bus.”

“You’re supposed to take me. And California’s due south. I’m going southeast.”

Miles clenches his jaw in frustration. He digs his fingers into his temples and squeezes his eyes shut. And then, opening them again, he glares at me. Doesn’t like to take orders, I think, noting that tidbit on my checklist, and then add, Is used to getting what he wants.

“Why in the world would you trust me to take you anywhere?” he asks. “I could be dangerous. I could be psycho. You don’t know me from Adam.”

I turn to him. “Actually, I don’t trust you. Frankie told me not to, but he also said I had to be honest with you.”

“Who the hell is Frankie?” A note of hysteria creeps into Miles’s voice.

“Frankie is the guy who sits and drinks beer on the corner of Pike and Pine. People call him Crazy Frankie.”

“You take advice from an insane alcoholic?” Miles’s face is dead serious now.

Be completely honest, I hear the voice say in my head. I exhale and brace myself. “He was my oracle,” I respond. “And he told me to go with you. Therefore, whether or not you are dangerous or psycho—which I don’t think you are—”

“Thanks,” Miles interjects drily.

“—you are driving me.”

Jan. 30, 2014 Excerpt

“How does this Crazy Frankie even know who I am?” Miles asks.

“He doesn’t,” I respond. “He told me to go with the person whose name will take me far.”

Miles stares at me, all semblance of coolness gone. He looks scared. “You are psychotic,” he says, eyes wide.

Tearing his gaze from mine, he sits for an entire minute staring straight ahead at the parking lot. He needs you as much as you need him, Frankie had said. I wait.

Finally, shaking his head in despair, Miles turns the key in the ignition. “Okay, I’ll take you at least part of the way on your crazy road trip.” He reaches for something on the dashboard. “But first I have to make a call.”

I get to the contraption first. “Is this your cellular phone?” I ask.

“Yeah,” he says.

Clasping it in my hand, I close my eyes and contact the Yara. I’ve been waiting a week for this to happen. I’m ready. A little spark flies out of the side of the phone, and its screen goes dead.

“What the—” Miles yells.

“Frankie also told me not to let you use your phone,” I reply. “Now let’s go.”

Feb. 6, 2014 Excerpt

Chapter 20 (Miles)

My brain hurts. I am so far out of my comfort zone that I might as well be in the Amazon, swimming with piranhas. This girl somehow just broke my phone and now she’s telling me to drive her to Mount Rainier. And I’m actually arguing with her over directions, like we’re some geriatric married couple.

“You pointed south a minute ago. The mountain is due east,” I say, stopping the car at the edge of the parking lot. “You have no idea where you’re going, do you?”

She wraps her arms around her chest and says defiantly, “Actually, I pointed southeast. Our destination is in that direction.”

“And you know that because Crazy Frankie told you,” I state incredulously.

“I don’t think he’s actually crazy,” she says.

Oh my God, I’m driving a psychopath. “So if the wino told you to go southeast, why are we heading due east?”

“Because. As I said, we have to go to that mountain first,” she insists, nodding in the direction of Mount Rainier.

I just sit and stare at her for a minute until I remember how valuable this girl is to Dad and the fact that my name is, at this very moment, written in his bad books in bold capital letters. The last thing I want is for her to get out of my car and find someone else named Taxi or Greyhound Bus and ditch me.

Feb. 13, 2014 excerpt

“You are taking me,” she says, as if I have no choice in the matter. Man, does she have me pegged: I need her as much as she needs me.

“Seat belt,” I say. She looks confused. “If I’m taking you, you have to wear your seat belt.” Still no reaction. I yank on mine, demonstrating what a seat belt it, and she fiddles with hers until she finally gets it attached.

I mash my foot on the accelerator and go. We drive in silence for a few minutes, which is good, because I have to get my bearings. I search for road signs, finally see one for MOUNT RAINIER NATIONAL PARK, and follow it east out of town.

We drive over long bridges spanning large bodies of water, and past ugly urban sprawl until mountains appear in the distance, one capped with snow. We’ve been on the road a good twenty minutes before I notice that the girl is holding onto the dashboard with both hands.

“What?” I ask.

“What, what?” she responds.

“What are you doing? Why are you pushing on the dashboard like that?”

“You’re going kind of fast,” she says in an accusatory voice.

“Fast? I’m only going fifty. That’s not even the speed limit!”

“It feels fast to me,” she mutters.

“Listen, if you’re going to criticize my driving,” I begin, and then I remember…I’m arguing with a crazy person. “Just stop doing that,” I say, glancing at her death grip on the glove compartment. “It’s making me nervous.”

She frowns and lets go, but moves her hands to the edges of the seat on either side of her legs and clutches tight. I decide to ignore her completely until I’m on the highway going out of town, at which point I speed up to sixty and relax. We pass a sign saying 54 MILES TO MOUNT RAINIER, and I see the girl’s eyes flick from the sign to the speedometer and back as she calculates how long it will take us to get there. She looks at the sun, or at least where the faint shape of the sun lows from underneath the rain clouds, and then at the dashboard clock, and finally lays her head back against the headrest and relaxes. And when I say relaxes, I only mean she doesn’t look like she’s going to explode or spontaneously leap out of the speeding car.

I wish she’d take out that contact lens. It freaks me out. One of the goth girls at school has scary yellow cat-eye lenses. Definitely not my scene—the artsy goth posers. And thinking of school reminds me that, however weird she is, Cat-eyes will be attending graduation next month, and I won’t. I step on the accelerator, and the engine roars as I take the car to ninety miles per hour. And when I see the girl’s fingers grip tightly around the edge of her seat, I smile.

Excerpt: Feb. 27, 2014

We drive the next hour without speaking. As we approach the mountains, city-appropriate sedans are gradually replaced by massive pickup trucks and semis stacked with logs. One-story identical wooden houses are lined up side by side like a countrified version of Monopoly.

After a little while, I turn the radio on—my music is on my dead phone—and all I can find is country. I keep it on—it’s better than sitting in silence with the odd boy-girl.

I can’t help but glance from her every once in a while; she could be part Asian, with high cheekbones and thick black hair. Her clothes look straight from the men’s section of Old Navy. Her hairstyle is truly ugly; It looks like she got a bad crew cut, and now that it’s growing out, she’s spiking it to make herself look taller. Or fiercer.

She’s small. I’d say five-five was a pretty close estimate. When she’s quiet, she looks her size. But when she talks, she somehow gains a few inches…becomes bigger than herself. When she first got in the car, I thought, If she’s insane and freaks out in my car, I can take her, but now I’m not so sure. There’s this energy…and anger…jam-packed into every inch of her.

Dad said that calling her an industrial spy was “near enough to the truth.” When I first saw her, I couldn’t imagine her being involved in anything spy-related. But now she’s sitting inches away from me, I totally can. She seems dangerous.

 Mar. 6, 2014 Excerpt

As if reading my thoughts, she glances over at me, and when our eyes meet, she glowers. “Where are you from?” she asks.

I hesitate, and then decide it can’t hurt for her to know where I live. “L.A.,” I say.

She just stares at me. “Where is…Ellay?” she asks finally.

“Los Angeles. It’s in—” I say.

“Oh, yes. California,” she interrupts, and then to herself mumbles, “Most populous U.S. city after New York City; however, not the capital of California, which is”—she pauses and thinks a second—”Sacramento. Or at least, it was in 1983.”

Freak.

 Mar. 13, 2014 Excerpt

I turn off onto a two-lane road, and we pass a group of hunters dressed in brown camouflage, carrying guns. I hate guns. Dad tried to take me hunting once. I spent the whole time in the lodge playing video games, refusing to go out on the hunting range and embarrassing him in front of his friends.

“What is your whole name?” she asks, continuing her interrogation.

Uh-oh. Now we’re in tricky territory. Everyone’s heard of Blackwell Pharmaceutical. My last name is usually a status symbol, but right now it’s probably better not to flaunt it.

“Why would I tell you my last name when you haven’t even told me your first?” I lob back.

“My name is Juneau,” she says.

“Like the goddess…what, queen of Olympus?” I ask.

“No, like the capitol of Alaska,” she responds.

Bingo! I think, remembering that Dad had mentioned that the girl was coming by boat from Anchorage.

Juneau points to a National Forest road map posted by the side of the road. “Stop here,” she says, and clicking off her seat belt, gets out of the car before I’ve come to a complete stop. She stumbles slightly as I slam on the brakes, and then, catching her balance, walks to the sign as normally as if she bails out of moving cars all the time.

The girl’s on drugs. That’s got to be it. Whatever secret drug Dad’s trying to get his hands on, she’s probably already taking it by the truckload. Unless it’s an antipsychotic pill, in which case she could use a few.

Mar. 20, 2014 Excerpt

She studies the map for a few minutes, and then walks back to the car, gets in, and says, “Okay. Drive.” Like I’m her chauffeur or something.

“Would you mind telling me where we’re going?” I ask, masking my sarcasm to avoid another nasty scowl. The girl—Juneau—scares me, and it’s just not worth getting her riled up.

“Up there,” she says, pointing halfway up the mountainside.

I can’t help it. I begin speaking to her as if she were a toddler. Or deranged, which she is. “As you can see, it is now seven p.m.,” I say, gesturing to the dashboard clock as if I were a game show host and it was a brand-new car. “There are no restaurants anywhere nearby. And the sign for ‘accommodation’ was back a ways, pointing in another direction. So if we want to, say, eat dinner—or sleep anywhere besides here in the car—we have to turn around and go somewhere else.”

“That way.” She points up the mountain.

I squeeze my hands into fists. But I think of the look on Dad’s face if I manage to get her back to L.A., and ask with clenched teeth, “Would you like to close the car door then so I can drive?”

“Oh yeah,” she says, as if it hadn’t occurred to her. She leans over and slams the door shut, and we’re off.

Next excerpt: Mar. 27, 2014

 

 

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After The End

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DIE FOR ME fan photos

When I saw these photos taken by DIE FOR ME fan Amanda Meum (half-French, but lives in Norway), I knew I had to do something special with them. So I’ve decided to have a DIE FOR ME photo-identification contest!

After not having been to France for 6 years, Amanda visited Paris last summer and went to all of the places she remembered from the DIE FOR ME series. And then she sent me the photos!

Here they are in all of their Parisian glory,

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Photo 1. Door to left of Eglise St. Paul, also the entry to Jules’s art studio where Kate meets Jules. Site of numa break-in in book 2. (Also my apartment in the 1990s.)

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Photo 2: quai of the Ile St. Louis, where Vincent and Kate decide to give an undead-human relationship a go. A view of this is in the last scene of book 3. (I hung out here in the summers.)

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Photo 3: Used to be the Dome Cafe, where Kate gets a crepe before following Vincent and Jules into St. Paul metro and witnessing Jules’s death-by-metro. (Across the street from my old apartment.)

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Photo 4: where Vincent takes Kate for hot chocolate in book 1. (Went here for hot chocolate when I couldn’t be bothered to go across the Seine to Angelina’s.)

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Photo 5: where Lucien takes Charles’s body and stages an attack on the kindred in book 1. (Will fight my claustrophobia to visit this amazing place.)

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Photo 6: pont du Carrousel, with creepy tunnel to right where sword fight took place in book 1. Vincent dove from this bridge to save the teenager attempting suicide. (Love wandering along this quai all the way down to the Jardin des Plantes.)

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Photo 7: Metro for Vincent’s and Kate’s neighborhood. They meet there before Village St. Paul date in book 1. (Didn’t ever hang out in this ‘hood, but thought it was perfect for Papy and Mamie.)

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Photo 8: Village St. Paul, where Vincent and Kate go on their first date, he buys a necklace for Charlotte, and they spot Lucien. (Loved shopping for unique presents here. Right around corner from my old apartment.)

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Photo 9: the Picasso Museum, where Kate bumps into Jules and Vincent (and Ambrose, volant), and has coffee with Vincent after Jules takes off. (One of my favorite museums, but closed for the last few years.)

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Photo 10: Eiffel Tower – in last scene (Kate’s birthday surprise) of book 1. (Love seeing this from far away. Hate actually going.)

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Photo 11: Sacre Coeur basilica. Site of battle between Violette and the sisters in Book 2. (You feel like you’re on top of the world when you’re here. I go only occasionally.)

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Photo 12: interior of Rue du Bac metro. Also shows up in scene where Kate runs into Charlotte and Charles, and he gives major attitude.

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Photo 13: The taxidermy shop that Kate tells Charlotte she used to come with her mom. (And my FAVORITE taxidermy shop. I love this place.)

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Photo 14: cafe where Kate sees Vincent with Genevieve in book 1, and in book 2 where the sisters run into Arthur. (Spent much time here my first few years in Paris, eating their yummy tarte tartin.)

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Photo 15: Metro where Kate follows Vincent and Jules and witnesses a bardia “save”. (“My” metro when I lived in Paris in the ’90s.)

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Photo 16: Pont des Arts (nighttime shiny shot): site of Vincent and Kate’s first kiss. (I kissed a British guy here. I was young. He was younger. It was super-romantic.)

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Photo 17: Pont Alexandre III: Vincent rows Kate under this in rowboat at end of Book 1. (My favorite bridge in Paris.)

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Photo 18: Papy’s antiquities gallery, in the 6th, next to the Seine. (The real antiquities gallery was happy to hear they were in the book, and let us take pictures.)

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Photo 19: The Musee Maillol. I used this building (but changed the facade and courtyard) to be my La Maison – home of Jean-Baptiste and the kindred. (This building has so much history – used to be a convent!)

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Photo 20: Centre Georges Pompidou. Kate finds proof of the 1968 death of Vincent and Ambrose in the library here, then sees a re-animated Jules upstairs in the museum. (I have spent much time studying in the library and perusing the permanent collection.)

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Photo 21: the building in the 6th where I set Papy and Mamie’s apartment. (I scoured the neighborhood until I found the perfect building.)

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Photo 22: rue Champollion, where Ambrose and Vincent were killed saving people from a fire during the riots of 1968. (Also where I lived in 1995.)

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Photo 23: St. Paul Metro. Kate and Vincent sat in front of it on the steps of Eglise St. Paul while Kate told him about the jousts that used to take place in this spot.

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Photo 24: the quai near rue du Bac where the rowboat was waiting at the bottom of this staircase. Book 1.

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Photo 25: our lovely photographer Amanda on the Pont des Arts!

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